Psychosocial Dynamics of Twelve Angry Men

Social-Psychology of Twelve Angry Men

Don't use plagiarized sources. Get Your Custom Essay on
 Psychosocial Dynamics of Twelve Angry Men
Just from $9/Page
Order Essay

As a portrayal of a microcosm of society — enhanced by its drill-down into the 1950s era in which the plot unfolds — few films are as excruciatingly accurate as 12 Angry Men. The story lends itself to analysis of team dynamics and conflict resolution techniques, with the promise of extending beyond explicit attributes, such as an all-male cast, and less explicit themes, such as ambiguous hints about ethnicity and race.

The film 12 Angry Men is a story about the deliberations of a jury in a capital murder case that takes place in New York City in 1957. An 18-year-old non-Caucasian male, who is apparently from marginalized socio-economic strata, has been accused of stabbing his father to death. A jury of 12 men will deliberate his guilt or innocence against a backdrop of an automatic death sentence for a guilty verdict. The stage play origin of the story is evident in the staging with all of the film action occurring in the jury room, representing a single afternoon and evening during which the deliberations of the jury take place. At the onset, the case is considered to be an open-and-shut matter, but all the jurors must believe in the guilt of the defendant beyond a reasonable doubt — the verdict must be unanimous. But as the prejudices, preconceptions, and disagreements of the jurors unfold, raw notions about legal trials, minorities, and the stark range of perspectives and opinions steer the jurors off a sure course.

The identity of two of the jurors is revealed at the end of the film in an epilogue when juror #8 (Davis) and juror # 9 (McCardle) introduce themselves on the courthouse steps. All of the jurors are identified by number, as follows: #1 high school football coach (also the foreman of the jury), #2 bank teller, #3 owner of a messenger service business, #4 stock broker, #5 hospital nurse, #6 painter, #7 salesman, #8 architect, #9 an older man, #10 garage owner, #11 watchmaker, and #12 advertising executive. In this manner, the jurors are both known to the audience — and to each other — and not known. That this is so adds a level of relevancy to the interactions of the members of the jury for whom socio-economic status and educational attainment may be assumed accordingly.

Analysis of Conflict and Dynamics

Identification of conflicts. Through the backstories of the characters in the film, the conflicts are illustrated. Jurors #1 and #2 don’t want to ruffle feathers and are just eager for an expedient conclusion — they want to escape this forced “hostage” situation with little to no pain. Juror #3 is self-made man and competitive to the point of trying to bully everyone he sees as being a potential competitor. Juror #4 believes in the power of objective deductive reasoning. Juror #5 can identify with the defendant as someone who has grown up on the streets, fighting to survive, but he is so desperate to distance himself from the painful associations that he asserts the defendant is guilty. Juror #7 and, to a lesser extent, juror #6 are mistrustful of people who differ from them — people who are foreigners, say. Jurors #10 and #11 believe strongly in the infallibility of the legal system and hold to the idea that the defendant was arrested for the crime because of a preponderance of evidence indicating he was guilty — though the two jurors will come to recognize that this is not the situation. Juror #9 would prefer to just go along with the other member of the jury. Juror #12 holds everything up to the light of capitalism and marketing — he seems to have no frame of reference for the criminal case or the other jurors.

In summary, it appears that there are just a handful of conflicts in the overheated and claustrophobic jury deliberation room: There are those in the jury who only wish the process will come to a quick end and are not concerned with the rightness of the verdict. Some of the conflict between the jurors is strictly interpersonal and has more to do with establishing dominance than with collaborating to achieve a reasoned outcome. Several members of the jury put their conscience in conflict with both group dynamics and a deliberation process that could easily tack to some course that is devoid of true steerage. In other words, the institutionalized process can take on a life of its own with the jurors only going through the motions. A undergirding conflict is that between empathy and objectivity. This is the conflict that the jurors who are fearful of the other must face down, and that those who could most easily align with the defendant must deny. Objectivity acts like a shield for the members of the jury who feel they must protect their privileged status. And objectivity acts like a sword for the members of the jury who believe that reasoned discourse will uncover truth and establish justice — or at least the best approximation of truth and justice that they can achieve — a verdict of not guilty.

The elementality of a verdict. The verdict that a jury hands down is a thing composed of many elements. Each of these elements brings some level of conflict into the deliberations. The primary element is that a unanimous verdict must be handed down — this is an inescapable fact. Early in the film, the jurors agree to take an informal vote to see where they stand. This preliminary count results in 11 jurors agreeing that the defendant is guilty of murder, and one juror hesitant to commit to the absolute certainty that the verdict requires. Juror #8 stands alone in his vote of not guilty.

At one point in the first act, the certainty of the jurors’ deliberations comes unhinged when juror #8 presents a knife to his fellow jurors as a demonstration that the knife presented as evidence against the defendant is not such a unique implement. The “unusual-looking knife” submitted as evidence in the trial has been identified as an Italian stiletto switchblade with a Filipino-style Kriss blade — a configuration that is not apparently that rare, as argued by juror #8 in his effort to induce reasonable doubt among the jury. From this point forward in the film, juror #8 successfully provokes other members of jury, though he does so through patient and low-key but relentless questioning of statements made, arguments posed, and evidence provided from the trial. The certainty of the members of the jury is further eroded by his efforts — and the snowball effect that he creates — until only three jurors maintain that the defendant is guilty and eight have changed their vote to not guilty. The jurors who are steadfast in their judgment of the guilt of the defendant include juror #3 (the owner of the messenger service), juror #4 (the stockbroker), and juror #10 (the owner of the garage).

Exploration of Intra-Psychic Processes

Thompson and Nadler (2000) put forth a theory of cognitive bias in order to provide a framework for resolving blocked conflict resolution processes. People are typically not aware of these cognitive biases, according to Thompson and Nadler (2000), since they tend to rely on their usual ways of thinking during under typical circumstances. However, conflict situations require less error-prone thinking and more objective judgments than do ordinary situations (Thompson & Nadler, 2000). In their words,

In conflict, bias is apt to occur because conflict often leads to inadequate communication between the negotiating parties; arousal of emotional tensions that constrict thinking to stereotypes and to black-and-white viewpoints; primary focus on opposed interests; and anxiety, which may propel one to deny the conflict or flee into agreement before thinking through the consequences (Thompson & Nadler, 2000, p. 214)

According to Thompson and Nadler (2000), there are four particularly common kinds of bias, and each holds the potential for certain related effects. The authors identify these biases as follows: (1) Tendency to simply the conflict; (2) tendency to exaggerate the level of opposition between the parties; (3) tendency to create a false dichotomy between competition and cooperation; and (4) tendency to favor one’s own interests even while trying to be objective and fair (Thompson and Nadler, 2000).

The tendency of the jurors to simplify the conflict is apparent in their reliance on stereotypical information and their rejection of information that does not conform to their perspective (Thompson & Nadler, 2000). Oversimplification is also characterized by a knee-jerk defensiveness that distorts true cause-and-effect relationships (Thompson & Nadler, 2000). The strong emotional undercurrent of act one is testimony to power of this bias, in that, it curtails self-awareness and emphasizes a climate of blame and retaliation.

The third bias presented by the authors has an interesting application to the processes of juries in deliberation. Thompson and Nadler (2000) assert that the contesting parties have to adopt a position as completely competitive or completely cooperative, a situation that leads to escalation, unreasonable or excessive concession, and solutions that are less than desirable. Certainly the jurors are bound to an either-or situation that is bounded by their ability to cooperate or their insistence on competition. As with other conflict resolution situations, the strongest solutions can be achieved through a balance of these dynamics. Nevertheless, the position of the jurors in act one is fundamentally competitive (there has been no real negotiation at that point) and their position at the end of the film is fundamentally cooperative — but it is grounded in their opposition and competition. The not guilty verdict was reached on the basis of the jurors agreeing to disagree — the disagreement itself a hallmark of their inability to conclude that the defendant was guilty beyond a reasonable doubt.

Judgment bias. As the jury proceeds to take votes throughout their sequestered time, they resort to private votes — where jurors secretly write their votes on paper — and public votes, which enable the jurors to see where they must direct pressure on the holdout jurors. The power of persuasive argument begins to take a toll. The jurors move further away from their certainty of the defendant’s guilt. The shift to a count of nine guilty and 3 not guilty votes by the end of the first act brings a wave of resentment, frustration, outright criticism, and challenges to the reasoning of fellow jurors. Two of the small business owners, juror #3 (the messenger service) and juror #10 (the garage), become especially vocal in their hostility and accusations.

Founded and Unfounded Attribution

Attribution theory is a dominant pillar of conflict resolution (Deutsch & Coleman, 2000). Peace researchers have long understood the influence that education can have on attribution. Juror #8 assumes this position, as well, attempting to provide and thoroughly examine information in order to dispel or foster doubts about the guilt of the defendant. Through a resistant logjam of prejudice and ignorance Juror #9 has the perspective of a long life to see the value of this approach and changes his vote in order to support the efforts of juror #8 to shine daylight on the biases and presumptions of a majority of the members of the jury.

Anger and other emotions. Anger typically occurs against a backdrop of attribution, or what Allred (2000) refers to as accuser / accused biases that bring about escalation of conflict. Interactions among the jurors often erupt in vented displays of anger, a situation that Allred (2000) asserts is counterproductive to conflict resolution since it does not effectively dissipate anger. Rather, Allred suggests that a display of vented anger typically brings about more (increased) anger and “is an exercise in rehearsing the very attributions that arouse anger in the first place” (Allred, 2000, p. 249). Part of the problem, as Allred (2000) views it, is that the parties relying on attribution are often lacking in real information about the other party. Providing this information in the form of education or reasoning encourages empathy, de-escalates anger, and assists with more accurate reconceptualization of responsibility and culpability (Allred, 2000). This view is especially relevant to issues of racial or ethnic bias.

Racial and ethnic biases. Pruitt and Rubin (1986) theorize that certain condition contribute to low-conflict groups or societies. The authors suggest that conflict is lower where trust is high, power is balanced, resources are ample, norms are shared for compatible aspirations, and there are integrative options. One especially relevant observation by Pruitt and Rubin is that low-conflict communities tend to devise social or structural arrangements that “inhibit invidious comparisons, often by creating myths that define certain groups as more or less deserving, or by forms of physical or psychological segregation between unequal groups” (1986). This type of divide and conquer approach was active in the 1950s in the United States — a time when racial segregation had only just begun to respond to the social justice and civil rights initiatives that characterized the next several decades. What this meant for the white male jurors in film was a dearth or absence of contact with people from other ethnic backgrounds or races. Although the film never specifically identifies the defendant as a person of color, it certainly alludes that this is so. When juror #5 changes his vote to not guilty, the audience is led to believe that his experience growing up in a slum neighborhood and working as a nurse in a hospital in Harlem have influenced his changed decision. One or two at a time, the jurors find that they cannot hold to the highest legal standard in the land — the can no longer assert that they believe the defendant is guilty beyond a reasonable doubt. The order in which the jurors come to align themselves with a not guilty verdict is as follows: Juror #8 (the architect, played by Henry Fonda), juror #9 ( played by Joseph Sweeney), juror #5 ( the nurse played by Jack Klugman), juror #11 ( the watchmaker played by George Voskovec), juror #2 (the bank teller played by John Fiedler), juror #6 (a painter played by Edward Binns), juror #7 (a salesman played by Jack Warden), juror #12 (the advertising executive played by Robert Webber), juror #1 (a high school football coach and the foreman of the jury, played by Martin Balsam), juror #10 (a garage owner played by Ed Begley), juror #4 (a stock broker played by E.G. Marshal) and juror #3 (the owner of a messenger service played by Lee J. Cobb).

The escalation dynamic. Deutsch (2000) argued that a perceived injustice might function as a source of conflict, and if the injustice is due to an unfair process, the commitment of participants to the institutions and policies that regulate the process will be undermined. Moreover, reasonable disagreements over basic principles regarding justice and injustice may deteriorate such that individual portrayal their positions as more just and themselves as morally superior (Deutsch, 2000). Under these circumstances, the conflict resolution is unlikely to be stable, individual positions are hardened, defensiveness is provoked, and the overall conflict escalates into a win-lose schema (Deutsch, 2000).

The role of trust. Conceptually, interpersonal trust, or identification-based trust, is seen as vulnerable to the influence of time and familiarity, but trust may also simply be a function of attribution, inasmuch as levels of trust are related to a commonly understood social roles or official positions. As Lewicki and Wiethoff (2000) assert, identification-based trust is difficult to manage as it has a strong emotion underlayment and is sensitive to the influence of non-logical variables.

The jurors in the film have very little time to develop interpersonal trust, but they have ample time to test the influence of their preconceived notions as it relates to trusting the other jurors. The jurors represent a wide swath of socio-economic strata. A summarization of the livelihoods represented in the room evokes a number of potentially contentious pairings. Juror #3 (the owner of the messenger service) expresses his distrust, and perhaps his resentment, of juror #12 (the advertising executive) by referring to him as “the boy in the gray flannel suit.”

Theoretical Elements of Conflict

In their theoretical treatment of constructive controversy, Johnson, et al. (2000) suggest that people tend to confront problems by first forming an initial conclusion to which they attach rationale to support their view. This situation roughly describes act one in which most of the jurors are interested in accomplishing the deliberation as quickly and easily as possible. However, as the jurors face opinions that differ from their own — particularly when the associated rationales are robust — they begin to lose resolve (Johnson, et al., 2000). This change in the group dynamics, which is clearly demonstrated in act two, tends to motivate the jurors to seek more information and to validate the reasoning to which they are being exposed (Johnson, et al., 2000). When controversies are constructive, the perspectives in flux make room for positions presented by others and, eventually, creative solutions result (Johnson, et al., 2000). Juror # 8 (the architect) appears to be the most confident that calm and methodical reasoning will enable the jurors to come to a fair and rational decision. Juror #8 would seem to support Johnson, et al. In their assertion that “American democracy was founded on the premise that ‘truth’ results from free and open-minded discussion in which opposing points-of-view are advocated and vigorously argued” (2000, p. 83).


Achieving a goal: reasoned and appropriate determination. Approximately two centuries ago, Alexis de Tocqueville (1835) argued that jury deliberation was more than just a way to determine the outcomes of criminal trials. Jury deliberation, he contented, “is highly beneficial to those who decide the litigation” and “one of the most efficacious means for the education of the people which society can employ” (1835, p. 337). The U.S. Supreme Court, in Powers v. Ohio (1991), invoked Tocqueville’s Democracy in America in their position that the American jury promotes fair verdicts, fosters a sense of civic duty, boosts citizens’ sense of civic responsibility, and may increase their levels of public activity. Interestingly, the Powers v. Ohio (1991) Supreme Court case dealt with racial discrimination in jury selection — an issue that certainly had not been addressed much in the 1950s, particularly when — as in Powers — the race of the defendant was different from the venirepersons who were not selected for the jury. The language in the case is relevant:

The discriminatory use of peremptory challenges causes the defendant cognizable injury, and he or she has a concrete interest in challenging the practice, because racial discrimination in jury selection casts doubt on the integrity of the judicial process and places the fairness of the criminal proceeding in doubt.

Personal Proposed Conflict Solutions

The process of jury deliberation is viewed as a beneficial experience for participants and essential to the Fourteenth Amendment’s Equal Protection Clause, how then can one go about dealing with the inevitable conflict? It would seem important to diminish the ability of the jury to let interpersonal conflict get in the way of creating optimal conditions for justice to be accomplished. Certainly jurors can be provided with cautions before deliberation that remind them of their duties — both civic and cognitive.

The cognitive challenge may be the greater of the two, as clearly demonstrated in the film 12 Angry Men. Civic responsibilities may be fulfilled in a pro forma manner — who is to be the wiser? A number of jurors in the film conducted their civic duties in this way. They showed up when chosen for jury duty, didn’t get themselves eliminated from the cut, and were present during the deliberations. Regarding the quality of jury deliberations, John Adams wrote in 1771, “It is not only his right but his duty to find the verdict according to his own best understanding, judgment and conscience, though in direct opposition to the direction of the court” (Bethel, 2011). The judge in a trial has a responsibility to provide to the jury directions and instructions in the form of a written document that delineates what their task, their role, the facts of the case, the law that is of issue — and importantly — the “charge to stay impartial and vigilant so as to ensure that fairness prevails in the case” (Bethel, 2011).

This document provided by the judge comes with complete authority of the court, and it resonates with common sense and reasonableness. Because of these attributes, this document could serve as the bridge between the case and the verdict, becoming a source of reference throughout the deliberation. The jurors must be reminded of their function, which may be characterized as a mechanism to humanize the law. Within that frame, the strengths and weaknesses of the jurors may be accepted as inevitable. But these human attributes may also be viewed as stepping-stones to a more fair and just interpretation of the meaningfulness of the evidence. This dynamic was aptly demonstrated by juror #8 when he produced a knife that was identical the evidence provided during the trial. Fundamentally, suggestions for resolving the conflicts shown in the film and for moving the jury toward a reasoned and appropriate determination of the defendant’s guilt must be based on education and a slow, deliberate reveal of the thinking of each and every juror.


Allred, K.G. (2000). Anger and Retaliation in Conflict. In Morton Deutsch and Peter T. Coleman, Eds. The handbook of conflict resolution: Theory and practice. San Francisco, CA: Jossey-Bas Publishers, 2000, pp. 236-255.

Bethel, G.A. (2011, July). Jury deliberations — how do reasoning skills interplay with decision-making? Retrieved October 19, 2012 from

Bradner, R., McFArline, P., McGregor, M. And West, J. (2012). Twelve Angry Men: An analysis of group effectiveness. Unpublished paper, Virginia Commonwealth University, Richmond.

de Tocqueville, A. (1835, 2011) Democracy in America. Chicago, IL: University of Chicago Press.

Deutsch, M. (2000). Justice and conflict. In Morton Deutsch and Peter T. Coleman, Eds. The handbook of conflict resolution: Theory and practice. San Francisco, CA: Jossey-Bas Publishers, 2000, pp. 41-64.

Deutsch, M. And Coleman, P.T. (Eds.) (2000). The handbook of conflict resolution: Theory and practice. San Francisco, CA: Jossey-Bass Publishers. Retrieved

Johnson, D.W., Johnson, R.T., and Tjosvold, D. (2000). Constructive controversy: The value of intellectual opposition. In Morton Deutsch and Peter T. Coleman, Eds., The handbook of conflict resolution: Theory and practice. San Francisco, CA: Jossey-Bas Publishers, 2000, pp. 65-85.

Lewicki, R.J. And Wiethoff, C. Trust, trust development, and trust repair. In Morton Deutsch and Peter T. Coleman, Eds. The handbook of conflict resolution: Theory and practice. San Francisco, CA: Jossey-Bas Publishers, 2000, pp. 86-107.

Lumet, S. (Director). Rose, R. (Writer/Producer). (1957). 12 angry men [Motion picture]. Perf. Henry Fonda, Lee J. Cobb, Martin Balsam, E.G. Marshall, Jack Klugman, Ed Begley, John Fiedler. MGM Studios. Based on and virtually unchanged from a teleplay written by Reginald Rose and broadcast on TV’s “Studio One” on 20 September 1954.

Pruitt, D.G. And Rubin, J.Z. (1986). Social conflict: Escalation, stalemate and settlement. New York, NY: Random House. Retreived

Rose, R. (2010). Twelve Angry Men. Elstenwick, VIC, Australia: Insight Text Guide.

Thompson, L. And Nadler, J. (2000). Judgmental biases in conflict resolution and how to overcome them. In Morton Deutsch and Peter T. Coleman, Eds., The handbook of conflict resolution: Theory and practice. San Francisco, CA: Jossey-Bas Publishers, 2000, 213-235.

Supreme Court, Powers v. Ohio (No. 89-5011). Legal Information Institute. Cornell University Law School. Retrieved October 19, 2012, from

Get Professional Assignment Help Cheaply

Buy Custom Essay

Are you busy and do not have time to handle your assignment? Are you scared that your paper will not make the grade? Do you have responsibilities that may hinder you from turning in your assignment on time? Are you tired and can barely handle your assignment? Are your grades inconsistent?

Whichever your reason is, it is valid! You can get professional academic help from our service at affordable rates. We have a team of professional academic writers who can handle all your assignments.

Why Choose Our Academic Writing Service?

  • Plagiarism free papers
  • Timely delivery
  • Any deadline
  • Skilled, Experienced Native English Writers
  • Subject-relevant academic writer
  • Adherence to paper instructions
  • Ability to tackle bulk assignments
  • Reasonable prices
  • 24/7 Customer Support
  • Get superb grades consistently

Online Academic Help With Different Subjects


Students barely have time to read. We got you! Have your literature essay or book review written without having the hassle of reading the book. You can get your literature paper custom-written for you by our literature specialists.


Do you struggle with finance? No need to torture yourself if finance is not your cup of tea. You can order your finance paper from our academic writing service and get 100% original work from competent finance experts.

Computer science

Computer science is a tough subject. Fortunately, our computer science experts are up to the match. No need to stress and have sleepless nights. Our academic writers will tackle all your computer science assignments and deliver them on time. Let us handle all your python, java, ruby, JavaScript, php , C+ assignments!


While psychology may be an interesting subject, you may lack sufficient time to handle your assignments. Don’t despair; by using our academic writing service, you can be assured of perfect grades. Moreover, your grades will be consistent.


Engineering is quite a demanding subject. Students face a lot of pressure and barely have enough time to do what they love to do. Our academic writing service got you covered! Our engineering specialists follow the paper instructions and ensure timely delivery of the paper.


In the nursing course, you may have difficulties with literature reviews, annotated bibliographies, critical essays, and other assignments. Our nursing assignment writers will offer you professional nursing paper help at low prices.


Truth be told, sociology papers can be quite exhausting. Our academic writing service relieves you of fatigue, pressure, and stress. You can relax and have peace of mind as our academic writers handle your sociology assignment.


We take pride in having some of the best business writers in the industry. Our business writers have a lot of experience in the field. They are reliable, and you can be assured of a high-grade paper. They are able to handle business papers of any subject, length, deadline, and difficulty!


We boast of having some of the most experienced statistics experts in the industry. Our statistics experts have diverse skills, expertise, and knowledge to handle any kind of assignment. They have access to all kinds of software to get your assignment done.


Writing a law essay may prove to be an insurmountable obstacle, especially when you need to know the peculiarities of the legislative framework. Take advantage of our top-notch law specialists and get superb grades and 100% satisfaction.

What discipline/subjects do you deal in?

We have highlighted some of the most popular subjects we handle above. Those are just a tip of the iceberg. We deal in all academic disciplines since our writers are as diverse. They have been drawn from across all disciplines, and orders are assigned to those writers believed to be the best in the field. In a nutshell, there is no task we cannot handle; all you need to do is place your order with us. As long as your instructions are clear, just trust we shall deliver irrespective of the discipline.

Are your writers competent enough to handle my paper?

Our essay writers are graduates with bachelor's, masters, Ph.D., and doctorate degrees in various subjects. The minimum requirement to be an essay writer with our essay writing service is to have a college degree. All our academic writers have a minimum of two years of academic writing. We have a stringent recruitment process to ensure that we get only the most competent essay writers in the industry. We also ensure that the writers are handsomely compensated for their value. The majority of our writers are native English speakers. As such, the fluency of language and grammar is impeccable.

What if I don’t like the paper?

There is a very low likelihood that you won’t like the paper.

Reasons being:

  • When assigning your order, we match the paper’s discipline with the writer’s field/specialization. Since all our writers are graduates, we match the paper’s subject with the field the writer studied. For instance, if it’s a nursing paper, only a nursing graduate and writer will handle it. Furthermore, all our writers have academic writing experience and top-notch research skills.
  • We have a quality assurance that reviews the paper before it gets to you. As such, we ensure that you get a paper that meets the required standard and will most definitely make the grade.

In the event that you don’t like your paper:

  • The writer will revise the paper up to your pleasing. You have unlimited revisions. You simply need to highlight what specifically you don’t like about the paper, and the writer will make the amendments. The paper will be revised until you are satisfied. Revisions are free of charge
  • We will have a different writer write the paper from scratch.
  • Last resort, if the above does not work, we will refund your money.

Will the professor find out I didn’t write the paper myself?

Not at all. All papers are written from scratch. There is no way your tutor or instructor will realize that you did not write the paper yourself. In fact, we recommend using our assignment help services for consistent results.

What if the paper is plagiarized?

We check all papers for plagiarism before we submit them. We use powerful plagiarism checking software such as SafeAssign, LopesWrite, and Turnitin. We also upload the plagiarism report so that you can review it. We understand that plagiarism is academic suicide. We would not take the risk of submitting plagiarized work and jeopardize your academic journey. Furthermore, we do not sell or use prewritten papers, and each paper is written from scratch.

When will I get my paper?

You determine when you get the paper by setting the deadline when placing the order. All papers are delivered within the deadline. We are well aware that we operate in a time-sensitive industry. As such, we have laid out strategies to ensure that the client receives the paper on time and they never miss the deadline. We understand that papers that are submitted late have some points deducted. We do not want you to miss any points due to late submission. We work on beating deadlines by huge margins in order to ensure that you have ample time to review the paper before you submit it.

Will anyone find out that I used your services?

We have a privacy and confidentiality policy that guides our work. We NEVER share any customer information with third parties. Noone will ever know that you used our assignment help services. It’s only between you and us. We are bound by our policies to protect the customer’s identity and information. All your information, such as your names, phone number, email, order information, and so on, are protected. We have robust security systems that ensure that your data is protected. Hacking our systems is close to impossible, and it has never happened.

How our Assignment  Help Service Works

1.      Place an order

You fill all the paper instructions in the order form. Make sure you include all the helpful materials so that our academic writers can deliver the perfect paper. It will also help to eliminate unnecessary revisions.

2.      Pay for the order

Proceed to pay for the paper so that it can be assigned to one of our expert academic writers. The paper subject is matched with the writer’s area of specialization.

3.      Track the progress

You communicate with the writer and know about the progress of the paper. The client can ask the writer for drafts of the paper. The client can upload extra material and include additional instructions from the lecturer. Receive a paper.

4.      Download the paper

The paper is sent to your email and uploaded to your personal account. You also get a plagiarism report attached to your paper.

smile and order essaysmile and order essay PLACE THIS ORDER OR A SIMILAR ORDER WITH US TODAY AND GET A PERFECT SCORE!!!

order custom essay paper